One of the things I love about living in Salt Lake is having the materials of two awesome library systems (the city and the county) at my constant beck and call. For a girl who grew up with a library the size of a small house, this is heaven indeed.
I milk those two systems for all they're worth: we go to story time at both (Miss Annie at the county library is fabulous, but Max thinks Scott at the city library is his best friend); if I can't find something at the city library (always my first choice since it's a little bit closer), I can almost always find it at the county library; and, I'm not ashamed to admit, I signed up my boys for the summer reading program at both libraries.
It worked out perfectly: at the city library, there were four prizes, and you earned one for every seven days of reading. Theoretically, you could knock out all four prizes in just under a month. Then at the county library, they offered three prizes--one for June, one for July, one for August. This was great for making the fun stretch the entire summer.
Participating in two summer reading programs also aided me in my undercover efforts to get Aaron reading a little more. When I read to him, he got to fill in a picture on the city library's chart. But when he read himself, he got to count it for the county library. It was great.
Honestly, the prizes were not super impressive (someday I'll tell you all about the summer reading program at my same-size-as-a-small-house library, and then you'll all be jealous), but you would have thought they were gold from my boys' delight over them.
That is, not super impressive until the August prize at the county library came along. I already knew that it was going to be a book, and I was disappointed. In my past experience, the books have always been something along the lines of bilingual Clifford or bilingual Sesame Street. Thanks, but no thanks.
So you can imagine how surprised and ecstatic I was when I saw the book carts lined up with brand new, hardcover, no-Sesame-Street-in-sight picture books. I could hardly contain myself, and I had to really restrain myself from begging the boys to pick certain books (Art and Max by David Weisner?!).
In the end, even though neither one chose Art and Max, I was perfectly content with what they did choose: Aaron selected Pop! The Invention of Bubble Gum by Meghan McCarthy, and Maxwell went with, Betty Bunny Loves Chocolate Cake by Michael Kaplan.
I asked the librarian to write their names in the front of their books as a sort of reminder of when and how they got the books. This was something my librarian from home always did when I was growing up.
Sadly, she inscribed the wrong name in each book, but so far, the boys haven't noticed, and it just adds a little humor to the memory!
We're definitely sad to see the summer reading program(s) come to an end.
The BFG by Roald Dahl
Aug 28, 2013
We spent last weekend with almost my entire family (we were just missing my brother who had already started classes) doing reunion-ish things: we went to the lake, played some games, stayed up way too late talking, drank 10 gallons of homemade root beer, and enjoyed two (official) book discussions.
Yes, two.
I thought it would be great fun to have a family reunion book club, but when it came time to select a book, I found myself at an impasse. I really wanted us all to read Boys Adrift (will I ever stop talking about that book?!), but it wasn't one that my younger siblings (ages 12 and 14) or my own children would enjoy. So I decided to make everyone read two books (being the eldest child does grant you a certain amount of authority): Boys Adrift and The BFG.
The BFG was a brand-new book for me and for most of my family as well (I think my two sisters-in-law and Mike were the only ones who had previously read it). It is rather unusual that none of us had read it since I know we owned a copy of it; I can distinctly remember looking at the cover and thinking that the story was about some old man whose name I had no idea how to pronounce.
I set my preconceived notions aside and enjoyed absolutely every minute of it.
Sophie is an orphan. One night, she finds herself awake in the ghostly quiet and realizes instantly that it must be the "witching hour." She peeks beyond her curtains and is quite startled to see a giant walking towards her. She ducks back inside but soon finds herself being lifted out of her bedroom window by huge, strong hands.
Naturally, she is terrified, but by some stroke of good luck, she was snatched up by the Big Friendly Giant (BFG for short), who is the only giant in the world who does not guzzle humans for dinner. Sophie soon realizes that the other nine giants are not so nice and eat dozens of humans every night. Together, she and the BFG come up with a brilliant plan (involving a perfectly crafted dream, the queen of England, and Sophie herself) to stop the evil giants and save the entire world.
Discussing this book with my family made me realize (for like the billionth time) that reading is a totally unique and individual experience . . . and that even a children's book can evoke some pretty strong emotions.
One of my very favorite parts of the story was the BFG's way of speaking. If you haven't yet read The BFG, here is a little taste, straight from the BFG's mouth: "And sometimes human beans is very overcome when they is hearing wonderous music. They is getting shivers down their spindels. Right or left?"
It is a strange mix of primitive grammar, new words, and twisted phrases. I found it to be delightful, witty, and highly creative. My brother? Hated it. He thought it was distracting, ridiculous, and over-the-top.
I sat there listening to him rant against the BFG's adorable way of speaking, and my heart broke a little. How dare he say such discriminatory things against so upstanding and noble a giant? Couldn't he have a little sympathy for someone who, in the giant's own words, "sometimes is saying things a little squiggly"? After all, "there never was any schools to teach [him] talking," so we really must be sympathetic if "somehow or other [his words] is always getting squiff-squiddled around."
I'm not holding my brother's opinion against him, but I am wondering if our completely contrasting opinions can both be right? Can this book be both "highly creative" and also "distracting"? Just something to think about. And on which side do you fall?
Mike and my mom and my dad were also not that enamored with the book. My dad thought the giant had no personality (another heart-jab), my mom thought it was a bit strange (but then, she's been prejudiced against Roald Dahl for years), and Mike thought it was too juvenile (see? I knew he should have never gone for a doctorate). Oh, well.
Just for fun, here are a few more of my favorite parts:
If you are looking for a fun activity to add to your family reunion agenda, a book discussion might be just the thing. However, based on this experience, it's probably best to choose a book that no one is emotionally attached to.
Yes, two.
I thought it would be great fun to have a family reunion book club, but when it came time to select a book, I found myself at an impasse. I really wanted us all to read Boys Adrift (will I ever stop talking about that book?!), but it wasn't one that my younger siblings (ages 12 and 14) or my own children would enjoy. So I decided to make everyone read two books (being the eldest child does grant you a certain amount of authority): Boys Adrift and The BFG.
The BFG was a brand-new book for me and for most of my family as well (I think my two sisters-in-law and Mike were the only ones who had previously read it). It is rather unusual that none of us had read it since I know we owned a copy of it; I can distinctly remember looking at the cover and thinking that the story was about some old man whose name I had no idea how to pronounce.
I set my preconceived notions aside and enjoyed absolutely every minute of it.
Sophie is an orphan. One night, she finds herself awake in the ghostly quiet and realizes instantly that it must be the "witching hour." She peeks beyond her curtains and is quite startled to see a giant walking towards her. She ducks back inside but soon finds herself being lifted out of her bedroom window by huge, strong hands.
Naturally, she is terrified, but by some stroke of good luck, she was snatched up by the Big Friendly Giant (BFG for short), who is the only giant in the world who does not guzzle humans for dinner. Sophie soon realizes that the other nine giants are not so nice and eat dozens of humans every night. Together, she and the BFG come up with a brilliant plan (involving a perfectly crafted dream, the queen of England, and Sophie herself) to stop the evil giants and save the entire world.
Discussing this book with my family made me realize (for like the billionth time) that reading is a totally unique and individual experience . . . and that even a children's book can evoke some pretty strong emotions.
One of my very favorite parts of the story was the BFG's way of speaking. If you haven't yet read The BFG, here is a little taste, straight from the BFG's mouth: "And sometimes human beans is very overcome when they is hearing wonderous music. They is getting shivers down their spindels. Right or left?"
It is a strange mix of primitive grammar, new words, and twisted phrases. I found it to be delightful, witty, and highly creative. My brother? Hated it. He thought it was distracting, ridiculous, and over-the-top.
I sat there listening to him rant against the BFG's adorable way of speaking, and my heart broke a little. How dare he say such discriminatory things against so upstanding and noble a giant? Couldn't he have a little sympathy for someone who, in the giant's own words, "sometimes is saying things a little squiggly"? After all, "there never was any schools to teach [him] talking," so we really must be sympathetic if "somehow or other [his words] is always getting squiff-squiddled around."
I'm not holding my brother's opinion against him, but I am wondering if our completely contrasting opinions can both be right? Can this book be both "highly creative" and also "distracting"? Just something to think about. And on which side do you fall?
Mike and my mom and my dad were also not that enamored with the book. My dad thought the giant had no personality (another heart-jab), my mom thought it was a bit strange (but then, she's been prejudiced against Roald Dahl for years), and Mike thought it was too juvenile (see? I knew he should have never gone for a doctorate). Oh, well.
Just for fun, here are a few more of my favorite parts:
- The BFG's dream catalog; I loved reading all of his little summaries of the dreams contained in the bottles ("I is inventing a car that runs on toothpaste." "I is only an eight year old little boy but I is growing a splendid bushy beard and all the other boys is jalous.") These dreams were exactly the kind of random conglomeration my kids would love. It made me wish the BFG could come to our house and blow a few of them into my little Maxwell's room--he is so scared of bad dreams but loves it when he gets a good one.
- Concocting the queen's dream; this scene was very vivid for me. I could see the giant rummaging among his jars, muttering and mumbling to himself, and pouring a little of this dream and a little of that dream in to make the perfect nightmare for the queen. Really, it seemed like a work of art.
- Meeting the Queen; one of my very favorite lines occurred when the BFG approached the queen and introduced himself, "Your Majester, I is your humbug servant." It just made me laugh but at the same time almost want to cry. By that time, I felt like I knew the BFG pretty well (despite my dad saying he had no personality), and I could just see that he was trying to make a good impression while being noble and kind, but once again, his words just got a little mixed up (in a rather adorable way).
If you are looking for a fun activity to add to your family reunion agenda, a book discussion might be just the thing. However, based on this experience, it's probably best to choose a book that no one is emotionally attached to.
My crazy family
Kindergarten Initiation
Aug 26, 2013
Today was Aaron's first day of kindergarten.
I've had a fair amount of worry over whether or not Aaron should begin school this year. Having just turned five less than a month ago, he is one of the youngest kids in his class. My indecision was compounded when I read Boys Adrift, and Dr. Sax gave compelling evidence for why many boys have greater academic success when they wait until age 6 to begin school.
I think a big part of my inner conflict was due to the fact that I respected, and even agreed with, Dr. Sax, and yet, it felt so right to let Aaron go to kindergarten. Really, in many ways I felt like I was creating my own struggle because I always felt the Spirit quietly whispering, This is right. This is right. This is right, but I still kept second guessing myself, Should I really send Aaron to kindergarten this year?
In the end, I felt confident trusting those spiritual promptings because I had done my part to study, research, observe, think about, discuss, and weigh all our options, and after all of that, it felt right to send him to school this year. I used my mind and my heart to make this decision, and because of that, I have felt a great amount of peace of mind.
And today, as Aaron counted down the minutes until it was time to leave and buckled his backpack and walked ahead of me down the sidewalk, there wasn't a smidgeon of anxiety. Only excitement and happiness. In fact, when my friend asked me how I was doing and I saw a volunteer handing out packs of tissues, I realized with a jolt that I wasn't crying. I had been so sure that I would be. In fact, I felt bad that I wasn't. It almost felt like I wanted him to leave me, which was far, far, far from the case.
This is maybe a more serious post than I was intending. It definitely didn't feel like a serious day. It felt fun and happy. But there were some serious days in the months leading up to it. I certainly don't think this is for sure the absolute, end-all, forever answer. It might be. But most likely, I will be considering these questions again and again as my children grow up.
But for now, we will soak up every precious minute of these glorious days of kindergarten.
I've had a fair amount of worry over whether or not Aaron should begin school this year. Having just turned five less than a month ago, he is one of the youngest kids in his class. My indecision was compounded when I read Boys Adrift, and Dr. Sax gave compelling evidence for why many boys have greater academic success when they wait until age 6 to begin school.
I think a big part of my inner conflict was due to the fact that I respected, and even agreed with, Dr. Sax, and yet, it felt so right to let Aaron go to kindergarten. Really, in many ways I felt like I was creating my own struggle because I always felt the Spirit quietly whispering, This is right. This is right. This is right, but I still kept second guessing myself, Should I really send Aaron to kindergarten this year?
In the end, I felt confident trusting those spiritual promptings because I had done my part to study, research, observe, think about, discuss, and weigh all our options, and after all of that, it felt right to send him to school this year. I used my mind and my heart to make this decision, and because of that, I have felt a great amount of peace of mind.
And today, as Aaron counted down the minutes until it was time to leave and buckled his backpack and walked ahead of me down the sidewalk, there wasn't a smidgeon of anxiety. Only excitement and happiness. In fact, when my friend asked me how I was doing and I saw a volunteer handing out packs of tissues, I realized with a jolt that I wasn't crying. I had been so sure that I would be. In fact, I felt bad that I wasn't. It almost felt like I wanted him to leave me, which was far, far, far from the case.
This is maybe a more serious post than I was intending. It definitely didn't feel like a serious day. It felt fun and happy. But there were some serious days in the months leading up to it. I certainly don't think this is for sure the absolute, end-all, forever answer. It might be. But most likely, I will be considering these questions again and again as my children grow up.
But for now, we will soak up every precious minute of these glorious days of kindergarten.
Defended and Done
Aug 21, 2013
Some of you may recall that Mike has been working on his doctorate (in Mechanical Engineering) for . . . a good long while.
Some of you may have asked him when he was going to be finished with the aforementioned doctorate. More than likely, you would have heard his favorite non-committal answer, "In about a year . . ."
Some of you may even remember hearing about our bargain, no, agreement, that we could definitely have a third child if the doctorate would be complete before the birth. A defense for a child. Sounded easy enough. Or not. The third child will be two years old next month.
The boys and I just got back from our fourth forced separation from Mike so that he could spend some quality time with his dissertation. I hoped (and prayed) that this fourth trip would be the charm.
While we were gone, I received daily reports on his progress:
Revised chapter 3. Revised chapter 4. Had friend proof-read. Edited again. Had professor look it over. Edited again. Scheduled defense with committee. Stayed up all night finishing the final edits, formatting, and writing, in his own words, "a pretty impressive conclusion." Turned in dissertation to committee. Stressed/worried (even though he never gets stressed or worried). Prepared presentation. Practiced presentation.
And that brought us up to today, August 21st, a day that will go down in history (for this family anyway).
I hadn't let myself believe that it was actually going to happen because I didn't want to be disappointed again. So when I found myself actually sitting in the conference room watching Mike at the front and looking at his slides while he talked about his research, well, it was kind of a surreal moment. I realized that I'd spent years anticipating this moment, and then when that moment finally came, it caught me by surprise because I hadn't let myself anticipate it!
Before the defense began, Mike looked ill. He muttered incoherently and cleared his throat mercilessly. Afterwards, my dad said he'd never seen Mike so nervous, didn't even know he could be so nervous.
His defense was not unlike this Studio C skit (although, thankfully, it ended far less violently):
But when Mike burst from the conference room after talking with his committee, he was a changed man. It was a mixture of happiness and relief and, yes, I think, awe. I watched Mike shake hands with Dr. Gale and heard the words, "Congratulations." I watched the committee members sign the paper saying he passed his defense. I watched Mike's smile come back to his face. It was one of the best moments of my life, and it wasn't even really my moment.
When Mike got home a few minutes ago, he said, "Well, I guess I'll go work on my dissertation for three hours now . . . NOT!"
Yes, I think I could get used to this.
Some of you may have asked him when he was going to be finished with the aforementioned doctorate. More than likely, you would have heard his favorite non-committal answer, "In about a year . . ."
Some of you may even remember hearing about our bargain, no, agreement, that we could definitely have a third child if the doctorate would be complete before the birth. A defense for a child. Sounded easy enough. Or not. The third child will be two years old next month.
The boys and I just got back from our fourth forced separation from Mike so that he could spend some quality time with his dissertation. I hoped (and prayed) that this fourth trip would be the charm.
While we were gone, I received daily reports on his progress:
Revised chapter 3. Revised chapter 4. Had friend proof-read. Edited again. Had professor look it over. Edited again. Scheduled defense with committee. Stayed up all night finishing the final edits, formatting, and writing, in his own words, "a pretty impressive conclusion." Turned in dissertation to committee. Stressed/worried (even though he never gets stressed or worried). Prepared presentation. Practiced presentation.
And that brought us up to today, August 21st, a day that will go down in history (for this family anyway).
I hadn't let myself believe that it was actually going to happen because I didn't want to be disappointed again. So when I found myself actually sitting in the conference room watching Mike at the front and looking at his slides while he talked about his research, well, it was kind of a surreal moment. I realized that I'd spent years anticipating this moment, and then when that moment finally came, it caught me by surprise because I hadn't let myself anticipate it!
Before the defense began, Mike looked ill. He muttered incoherently and cleared his throat mercilessly. Afterwards, my dad said he'd never seen Mike so nervous, didn't even know he could be so nervous.
His defense was not unlike this Studio C skit (although, thankfully, it ended far less violently):
But when Mike burst from the conference room after talking with his committee, he was a changed man. It was a mixture of happiness and relief and, yes, I think, awe. I watched Mike shake hands with Dr. Gale and heard the words, "Congratulations." I watched the committee members sign the paper saying he passed his defense. I watched Mike's smile come back to his face. It was one of the best moments of my life, and it wasn't even really my moment.
When Mike got home a few minutes ago, he said, "Well, I guess I'll go work on my dissertation for three hours now . . . NOT!"
Yes, I think I could get used to this.
Princess of the Midnight Ball by Jessica Day George
Aug 19, 2013
Ever since finishing (and loving) Sun and Moon, Ice and Snow, I've been wanting to read something else by Jessica Day George. In the midst of my indecision over which trilogy to read this year, I kept coming back to George's princess trilogy--partly because I already owned the set (thanks to my good friend, who also happens to be George's agent) and partly because I have wanted to read this series ever since falling in love with the cover of the second one, Princess of Glass. Oh, and the fact that each book is 250-300 pages, rather than 700, also made them highly tempting.
I decided I might as well try the first one, and if I didn't love it, then I would still have plenty of time to choose a different trilogy before the end of the year. I shouldn't have worried. As soon as I finished this one, I read the next one, and I could have easily started the third one if I didn't have a couple of other books I've committed to finish in the next couple of weeks.
Queen Maude wanted a baby, and when she couldn't get pregnant, she resorted to making a bargain with the King Under Stone. He was more than generous--promising her twelve daughters instead of just one, and all she would have to do in exchange was dance for him during his midnight balls.
Maude agreed. And for awhile her plan seemed to work beautifully. Every year she gave birth to another beautiful girl. But the King Under Stone gradually began to tighten his hold, making her dance more frequently. Pretty soon, it became apparent that he had more long-term plans for her daughters: he happened to have twelve sons; it would be a perfect match.
When the story begins, Rose (at 17) is the eldest and Petunia (at 5) is the youngest (yes, they are all named after flowers). Their mother recently died and left them to carry out the terms of her curse. It should have just continued to be a quiet family problem . . . except that their father doesn't know anything about it, and he is both puzzled and worried by his daughters' ever-growing pile of worn out dancing shoes. Before long, bad things have started to happen above ground: suspicious deaths, tension between countries, and a threat to the king's title.
But I have yet to talk about the leading man, a dashing former-soldier-turned-palace-gardener named Galen. He is convinced that he can figure out the princesses' mysterious secret and help them, too. Oh, and did I mention that he knits?
I don't often give much notice to plot summaries (I tell you this after I've just given you my own lengthy one and expected you to read every word of it), but I happened to read the synopsis for this one, and I disagreed so much with one part of it that I feel compelled to bring it up here.
It says, and I quote: "But malevolent forces are working against them [Rose + Galen + 11 sisters] above ground as well, and as cruel as the King Under Stone has seemed, his wrath is mere irritation compared to the evil that awaits Galen and Rose in the brighter world above."I beg to differ! The King Under Stone's wrath is no "mere irritation" even when compared with the very serious problems that are being dealt with by the kingdom. The King Under Stone is wicked and vile and frightening, and he is as much a threat to the world above as the world below.
Luckily, I didn't read that plot summary until after I'd finished the book, so I didn't have to struggle with any misconceptions about the King Under Stone being a "mere irritation" while I waited for the real villain to show up.
Synopsis aside, I really loved the book. I've come to realize that while I'm not a huge fantasy fan, I really do like fairy tale retellings, and this one was both an enjoyable and creative spin on the twelve dancing princesses.
I have to admit, it was hard to keep track of all twelve sisters, all named and with slightly different personalities. And I felt like I was supposed to remember each one since they all had numerous lines and took turns being prominent in a number of scenes. I understand the necessity of having twelve, and in some ways it did make the events more interesting, but I think I would have preferred the focus to be on just three or four of them with the others being important mainly for the numbers. This may have been what she was attempting with Lily and Poppy and Pansy, who did get a little more attention, but the remaining eight were still mentioned too much to forget about them but not enough to truly know them or care about them.
Also, I have to say that I didn't really care that much for Rose, the eldest sister. She was fine but very unmemorable. In other words, she just had kind of a bland personality. Consequently, I thought the romance ended up being a little bland as well (even though I quite liked Galen). (Actually, now that I think about it, my dissatisfaction with Rose is exactly how I felt about Cosette in Les Miserables--like she was created to be an important character but one who wouldn't mess up anything too terribly.)
But those little gripes were really pretty minor in comparison with how much I enjoyed the book. I loved the way knitting was used as both a weapon and a force for good and how it became a masculine activity when Galen was doing it. I loved the descriptions of the King Under Stone's realm (exotically dark and creepy). I loved the way the ending played out and that the solution involved a pair of knitting needles and a chain made of black wool. And I loved, loved, loved the character of Walter (a quirky, but very wise, gardener). It was just a fast, easy, enjoyable read. Exactly what I wanted it to be.
I read Princess of Glass immediately following this one. In many ways I liked it even more, but I have several things I can't wait to bring up in a forthcoming review.
I decided I might as well try the first one, and if I didn't love it, then I would still have plenty of time to choose a different trilogy before the end of the year. I shouldn't have worried. As soon as I finished this one, I read the next one, and I could have easily started the third one if I didn't have a couple of other books I've committed to finish in the next couple of weeks.
Queen Maude wanted a baby, and when she couldn't get pregnant, she resorted to making a bargain with the King Under Stone. He was more than generous--promising her twelve daughters instead of just one, and all she would have to do in exchange was dance for him during his midnight balls.
Maude agreed. And for awhile her plan seemed to work beautifully. Every year she gave birth to another beautiful girl. But the King Under Stone gradually began to tighten his hold, making her dance more frequently. Pretty soon, it became apparent that he had more long-term plans for her daughters: he happened to have twelve sons; it would be a perfect match.
When the story begins, Rose (at 17) is the eldest and Petunia (at 5) is the youngest (yes, they are all named after flowers). Their mother recently died and left them to carry out the terms of her curse. It should have just continued to be a quiet family problem . . . except that their father doesn't know anything about it, and he is both puzzled and worried by his daughters' ever-growing pile of worn out dancing shoes. Before long, bad things have started to happen above ground: suspicious deaths, tension between countries, and a threat to the king's title.
But I have yet to talk about the leading man, a dashing former-soldier-turned-palace-gardener named Galen. He is convinced that he can figure out the princesses' mysterious secret and help them, too. Oh, and did I mention that he knits?
I don't often give much notice to plot summaries (I tell you this after I've just given you my own lengthy one and expected you to read every word of it), but I happened to read the synopsis for this one, and I disagreed so much with one part of it that I feel compelled to bring it up here.
It says, and I quote: "But malevolent forces are working against them [Rose + Galen + 11 sisters] above ground as well, and as cruel as the King Under Stone has seemed, his wrath is mere irritation compared to the evil that awaits Galen and Rose in the brighter world above."I beg to differ! The King Under Stone's wrath is no "mere irritation" even when compared with the very serious problems that are being dealt with by the kingdom. The King Under Stone is wicked and vile and frightening, and he is as much a threat to the world above as the world below.
Luckily, I didn't read that plot summary until after I'd finished the book, so I didn't have to struggle with any misconceptions about the King Under Stone being a "mere irritation" while I waited for the real villain to show up.
Synopsis aside, I really loved the book. I've come to realize that while I'm not a huge fantasy fan, I really do like fairy tale retellings, and this one was both an enjoyable and creative spin on the twelve dancing princesses.
I have to admit, it was hard to keep track of all twelve sisters, all named and with slightly different personalities. And I felt like I was supposed to remember each one since they all had numerous lines and took turns being prominent in a number of scenes. I understand the necessity of having twelve, and in some ways it did make the events more interesting, but I think I would have preferred the focus to be on just three or four of them with the others being important mainly for the numbers. This may have been what she was attempting with Lily and Poppy and Pansy, who did get a little more attention, but the remaining eight were still mentioned too much to forget about them but not enough to truly know them or care about them.
Also, I have to say that I didn't really care that much for Rose, the eldest sister. She was fine but very unmemorable. In other words, she just had kind of a bland personality. Consequently, I thought the romance ended up being a little bland as well (even though I quite liked Galen). (Actually, now that I think about it, my dissatisfaction with Rose is exactly how I felt about Cosette in Les Miserables--like she was created to be an important character but one who wouldn't mess up anything too terribly.)
But those little gripes were really pretty minor in comparison with how much I enjoyed the book. I loved the way knitting was used as both a weapon and a force for good and how it became a masculine activity when Galen was doing it. I loved the descriptions of the King Under Stone's realm (exotically dark and creepy). I loved the way the ending played out and that the solution involved a pair of knitting needles and a chain made of black wool. And I loved, loved, loved the character of Walter (a quirky, but very wise, gardener). It was just a fast, easy, enjoyable read. Exactly what I wanted it to be.
I read Princess of Glass immediately following this one. In many ways I liked it even more, but I have several things I can't wait to bring up in a forthcoming review.
Word Flashbacks
Aug 16, 2013
You know how certain smells can carry you back in time in an instant? I have words that are like that. Sometimes I remember where I first heard the word. Other times, something out of the ordinary or unusual happened while hearing it and seared it into my memory. Here are five just such words:
clandestine - kept or done in secret, often in order to conceal an illicit or improper purpose
angst - a feeling of persistent worry about something trivial
I first heard this word five years ago. At that time, almost all of Mike’s eight siblings were keeping blogs (not so anymore), and so we decided to play a game on our blogs (Mike’s family is nothing if not creative and competitive). Each person was given their own list of words they had to use in posts over a two-week time period. If you used one of your words, and someone guessed it, they got a point. But if they either didn’t notice or there wasn’t really an assigned word in the post, then you got a point. (It was great fun, especially since, unless you were in on the game, you couldn’t tell there was anything particularly unusual going on, except that we all suddenly had much richer vocabularies.) Anyway, neither Mike nor I knew what it was to exhibit angst (it has since become a MUCH more popular word . . . everyone is filled with angst these days), and so we decided we’d have better luck pretending it was a typo for “against.” This is how we used it to describe a game of ping pong: "okay, so maybe my meager ping pong skills are pretty useless angst him, but my competitive nature can’t handle defeat.” Sadly, most of Mike’s siblings caught it.
menagerie - a collection of wild animals kept in captivity for exhibition
This word impressed itself upon me when we read this line in The Circus Ship: "Mr. Payne looked high and low, but still he couldn’t see the fifteen circus animals of his menagerie.” I knew the word before, but I was delighted to find it in a children’s book, and I can’t hear it now without seeing the page it goes with in the book.
snarky - rudely sarcastic or disrespectful; snide
Last year, my book club read Everneath, and we were lucky enough to have the author, Brodi Ashton, come to our meeting and talk about the book. The thing I remember most about that meeting is how often she said the word snarky. She called so many people snarky that I think she intended it as a compliment.
ineffable - too great or extreme to be expressed or described in words
This word is now forever linked in my brain with a British accent (Jim Dale’s British accent, to be exact). The word was dwelt on so much in Liesl and Po that you could almost call it a literary theme. The main character pronounced it in a very specific way--drawing it out and lingering on the f’s. Jim Dale’s interpretation was beautiful. I don’t think I’ve had an opportunity to use it out loud since I listened to that book, but when I do, you can be certain I’ll be British for the instant it takes to say it.
I have more words that maybe I’ll share at a later date, but tell me: Do you have any words with specific memories attached to them? Please share!
clandestine - kept or done in secret, often in order to conceal an illicit or improper purpose
This word made many appearances when I was reading The Zookeeper’s Wife. I wasn’t terribly familiar with it (maybe not at all), so I actually looked it up in an actual dictionary. I can vividly remember replacing it in my mind with “secret” anytime I came to it while reading.
angst - a feeling of persistent worry about something trivial
I first heard this word five years ago. At that time, almost all of Mike’s eight siblings were keeping blogs (not so anymore), and so we decided to play a game on our blogs (Mike’s family is nothing if not creative and competitive). Each person was given their own list of words they had to use in posts over a two-week time period. If you used one of your words, and someone guessed it, they got a point. But if they either didn’t notice or there wasn’t really an assigned word in the post, then you got a point. (It was great fun, especially since, unless you were in on the game, you couldn’t tell there was anything particularly unusual going on, except that we all suddenly had much richer vocabularies.) Anyway, neither Mike nor I knew what it was to exhibit angst (it has since become a MUCH more popular word . . . everyone is filled with angst these days), and so we decided we’d have better luck pretending it was a typo for “against.” This is how we used it to describe a game of ping pong: "okay, so maybe my meager ping pong skills are pretty useless angst him, but my competitive nature can’t handle defeat.” Sadly, most of Mike’s siblings caught it.
menagerie - a collection of wild animals kept in captivity for exhibition
This word impressed itself upon me when we read this line in The Circus Ship: "Mr. Payne looked high and low, but still he couldn’t see the fifteen circus animals of his menagerie.” I knew the word before, but I was delighted to find it in a children’s book, and I can’t hear it now without seeing the page it goes with in the book.
snarky - rudely sarcastic or disrespectful; snide
Last year, my book club read Everneath, and we were lucky enough to have the author, Brodi Ashton, come to our meeting and talk about the book. The thing I remember most about that meeting is how often she said the word snarky. She called so many people snarky that I think she intended it as a compliment.
ineffable - too great or extreme to be expressed or described in words
This word is now forever linked in my brain with a British accent (Jim Dale’s British accent, to be exact). The word was dwelt on so much in Liesl and Po that you could almost call it a literary theme. The main character pronounced it in a very specific way--drawing it out and lingering on the f’s. Jim Dale’s interpretation was beautiful. I don’t think I’ve had an opportunity to use it out loud since I listened to that book, but when I do, you can be certain I’ll be British for the instant it takes to say it.
I have more words that maybe I’ll share at a later date, but tell me: Do you have any words with specific memories attached to them? Please share!
A Girl Named Zippy: Growing Up Small in Mooreland, Indiana by Haven Kimmel
Aug 14, 2013
Goodreads and I became good friends in the spring of 2009. Before that, we were casual acquaintances; I would check in every now and again and add a book about that often. But in 2009, I suddenly caught the vision and realized that Goodreads was not only a great way to keep track of what I had read but also what I wanted to read. I started shelving books that friends told me about or that I heard about through a blog or website. Suddenly, I no longer had to rack my brain, “Now didn’t Sarah just mention a good book? What was the title again? Something about a princess? Or was it a pioneer?” I no longer said things like, “Oh, I like to read. I just never know what to read.” Now I always have dozens of options to choose from, and I can pick something that fits my current mood.Once I decided that Goodreads would save (and also help me waste) a ton of time and frustration, one of the first books I added to my to-read list was A Girl Named Zippy (on April 5, 2009, to be exact). I can no longer remember what prompted me to save it (I definitely could be better about noting where recommendations come from), but there it has sat for years while other books last only a couple of weeks or never make it on my to-read list at all before I start reading them. It hardly seemed fair, so when this book was selected for my book club in August, it offered the perfect excuse to grant it a coveted spot among the “currently reading” books.
And that long, pretty-much-pointless introduction probably knocked off all but my die-hard readers. Sorry about that.
Haven Kimmel grew up in a small town (pop. 300) in Indiana. She was nicknamed Zippy after her dad saw a “zippy” monkey on television. The book is a collection of memories and stories, mishaps and adventures from her childhood.
I know that summary sounds bland and boring, but let me assure you that Haven Kimmel’s writing is anything but. It is sassy and spunky and saucy with a good deal of irreverence thrown in (just read the chapter “Haunted Houses” if you don’t believe me). It was one of those books where I kept thinking, The small-town adventures of a seven-year-old girl shouldn’t be this captivating, but they are! Haven’s own sister, Melinda, thought that the only person who would choose to read such a book would be “a person lying in a hospital bed with no television and no roommate. Just lying there. Maybe waiting for a physical therapist. And then here comes a candy striper with a squeaky library cart and on that cart there is only one book--or maybe two books: yours, and Cooking with Pork. I can see how a person would be grateful for Mooreland then.”
When people say that their lives aren’t interesting enough to write about, I can no longer believe them. Their lives are probably plenty interesting; it’s just the way they present it that could use some work. As humans, I think we all have this innate desire to eavesdrop and spy on the lives of other people. If this were not the case, facebook would never have taken off and gossiping wouldn’t be such a difficult habit to break. In the case of A Girl Named Zippy, I loved it because of the parts I could relate to (growing up in a small town) and also because of the parts I couldn’t relate to (the 70’s, her home life, etc.).
I somewhat suspect that many of her stories were heavily embellished: there were so many details and so much dialogue that unless she was keeping a daily journal from the time she turned two, a completely accurate portrayal of such an early time in her life would probably have been impossible.
But did I really want a perfectly honest accounting? No. If she had only allowed herself to include details that she was certain of, I can almost guarantee this memoir would have been as dry as dust. Instead, I think she was trying to capture what it felt like to be herself in the 1970’s, and I think she was 100% successful with this. For example, one of the chapters recounts details from her family’s standard summer vacation: camping in their trailer. She said her father was always very meticulous with getting the trailer fitted and stocked and in good working order before they left. One of their pre-camping rituals was to make sure all of the lights on the camper worked as they were supposed to. While describing one particular trip, she said, “It took us longer than usual to get to Tall Trees, because twice I fell out of the top bunk with such a crash that Dad pulled over on the side of the road to make sure I wasn’t broken, and then before we could pull back on the the highway we had to test the lights.”
Now did they really test the lights every time they made a stop? Maybe. Maybe not. But do you think that’s how little Zippy felt when all she wanted to do was get to their destination while her father seemed totally bent on not getting there? Most definitely. That’s what made this writing so entertaining but also so accessible.
But speaking of perceptions and the strength of memories, this book made me wonder what my boys will remember from their childhoods in 30 years? Specifically, what will they remember about me? Zippy talks about her mother in an affectionate but also condescending way. In almost every story, her mother is reading on the couch while the house falls to ruin and she is unaware of her children’s whereabouts. Whether this is entirely true or not, this is what got logged away in Zippy’s memory. And my boys are forming their own memories every day (which I can only hope will someday not be published in a memoir!).
I’ve been trying to figure out why I loved Haven Kimmel’s writing so much, and I think it boils down to this: it was simple without being unimaginative and clever without being glaring. She captured the small-town, little-girl language and made it sound like an intelligent adult was writing it. I loved how she could end a chapter with a sentence as simple as “It would be another warm night,” but because of what came before, that one sentence suddenly sounded nostalgic and profound. I also loved all of the truly insightful metaphors she used, such as this one: “Dana turned to see the shot fall, then looked back at me. She issued a sound I’d heard dogs make at each other when they really wanted to fight but also had to finish their dinner.” Her metaphors always seemed to be appropriate to the setting while adding to my overall impression and picture of her childhood.
This book ends when Zippy is still in grade school. The last story is great (Christmas, Santa, dreams coming true and all that), but it felt very unfinished. What happens when Zippy reaches high school and begins to mature and grow up? Luckily, I found out there’s a sequel: She Got Up Off the Couch. You can bet I’m going to be reading it (I already put it on my to-read list!).
My one regret about this book is that I didn’t get to go to book club and discuss it with everyone. So sad! If anyone wants to have a mini-book discussion, feel free to start one in the comments!
Subscribe to:
Posts (Atom)

